
BASS

" Martinez possesses a bass voice of cavernous resonance and carrying power. "
-OnStage Pittsburg
MARTINEZ
SERGIO
Kayleen Bertrand Photography
BASS

.png)
" Sergio Martinez [...] has a gorgeous, imposing bass, generous in its rolling amplitude. "
-OperaToday
Daniel Welsh Photography
01.

-
INTRO
Colombian bass Sergio Martinez has been praised nationally and internationally for his charismatic stage presence and voice of “cavernous resonance and…power” (OnStage Pittsburgh). As a member of Washington National Opera’s distinguished Cafritz Young Artist Program, Mr. Martinez received extensive acclaim as a featured performer in both their American Opera Initiative and mainstage productions, most notably for his portrayals of Frère Laurent in Romeo et Juliette and Baloo in Kamala Sankaram and Kelly Rourke’s The Jungle Book.

-
THIS SEASON
Mr. Martinez joins the Metropolitan Opera roster covering Lodovico in Otello and Angelotti in Tosca. He’ll also début with Boston Lyric Opera as Walter Furst in William Tell, Austin Opera as Palémon in Thaïs, Annapolis Opera as Sparafucile in Rigoletto, and Berkshire Opera as Alidoro in La Cenerentola.
Last season, Mr. Martinez made house débuts at Virginia Opera as the King of Egypt in Aida and Opera Southwest in Dolores. He also returned to The Glimmerglass Festival to sing the roles of Sagrestano in Tosca and Papa Cordero in their premiere of The House on Mango Street.

-
NEW
STAGES
Mr. Martinez’s other notable engagements as a Cafritz Young Artist at Washington National Opera include a Look-In performance of Banquo in Macbeth, in addition to appearances as the Judge Advocate General in the world premiere of Grounded and the Innkeeper/Ox in The Lion, Unicorn, and Me. Moreover, his engagements at The Glimmerglass Festival include Frère Laurent in Romeo et Juliette, Zuñiga in Carmen, and covering Don Petronio in Tenor Overboard. Mr. Martinez’s repertoire further includes roles like Sparafucile in Rigoletto, Basilio in Il Barbiere di Siviglia, Collatinus in The Rape of Lucretia, Colline in La Bohème, and Theseus in A Midsummer Night’s Dream.
Mr. Martinez recently made several company débuts across the country, joining Des Moines Metro Opera as the Second Soldier in Salome, portraying Zuñiga in Detroit Symphony Orchestra’s production of Carmen, and joining the Spoleto Festival to sing the role of Palémon in Thais. In addition, he portrayed the role of Osvaldo in Washington National Opera’s AOI presentation of Tati, a new commission by Kyle Brenn and Lex Brown.

In 2023, Martinez composed, produced, and performed his first opera in four acts entitled ¡Dime! in collaboration with librettist Bailey Merlin. In addition, Martinez recently premiered three of his newest compositions: Mestizaje (mezzo-soprano and piano), Mundane (bass voice, electronics, and piano), and Canciones Campesinas (bass voice and piano).
Mr. Martinez graduated with his MM from the University of Illinois at Urbana-Champaign. During his time in Illinois, Martinez was the recipient of the Stotler Fellowship, the Golden Lyre Award, and the Sara de Mundo Lo Award. Mr. Martinez also graduated with his MMA in opera from Yale University, where he was awarded the prestigious Phyllis Curtin Award. He also received first prize and the Linus Lerner prize at the first international singing competition of Colombia.
-
EXTENDED HORIZONS

02.
" Sergio Martinez [...] deployed his gorgeously dark, rolling bass to exceptional effect. "
-OperaToday
.jpg)
Recent
Highlights
SCHEDULE
SCHEDULE
Upcoming

26/27
La Cenerentola, ossia La bontà in trionfo ("Cinderella, or Goodness Triumphant") is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera Cendrillon with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for Agatina, o la virtù premiata [it] with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale Cendrillon by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817.

26/27
When Don Carlo, heir to the Spanish throne, falls passionately in love with Elisabetta of Valois, their future seems assured, until politics intervenes. Elisabetta is given instead to Carlo's own father, King Philip II, to seal a peace treaty between Spain and France. What follows is a collision of personal and political forces, as Carlo's impossible love, his father's jealousy, the scheming of the court, and the iron grip of the Spanish Inquisition drag every character toward tragedy.

26/27
The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father.

26/27
Searing passion, edge-of-your-seat action, and a career-defining title role: No opera is more dramatic than Puccini’s classic thriller. The ever-popular story of a jealous diva, the ardent painter who loves her, and the villainous chief of police who tears them asunder features several of opera’s biggest stars in a grand, immersive production by David McVicar that transports audiences to three picturesque locations in Rome. Music Director Yannick Nézet-Séguin and Principal Guest Conductor Daniele Rustioni each take the podium.

26/27
Two of today’s leading dramatic tenors—Michael Fabiano and Brian Jagde—take on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved sopranos Angel Blue and Ailyn Pérez make their company role debuts as the long-suffering Desdemona, alongside baritones Amartuvshin Enkhbat and Artur Ruciński as the sinister Iago. Daniele Rustioni and Michele Mariotti lead the full forces of the Met Orchestra and Chorus in the exhilarating score.

26/27
Famed enchantress Thaïs is the most admired woman in Alexandria, whose beauty and charisma have captivated the city. Entertaining the city’s elite with wit, artistry, and charm, she commands devotion wherever she appears.
Devoted to the goddess Venus, her life is one of excess, until a profound encounter alters her destiny. Athanaël, a monk devoted to God, cannot ignore the spell Thaïs casts over Alexandria, nor the worldly pleasures that define her life. Driven to save her from spiritual ruin, he pursues her relentlessly, and what begins as a mission of faith becomes a consuming obsession—one where the choices they make will decide who will triumph: faith or desire.

Gremin
Gremin

Zuñiga
Zuñiga

Don Basilio
Don Basilio

Colline
Colline

Second Soldier
Second Soldier

Sparafucile
Sparafucile
%20in%20Tati_AOI_WNO_photo%20by%20Bronwen%20Sharp.jpg)
Osvaldo
Osvaldo
_Michelle%20Mariposa%20(Raksha)_Jungle%20Book_WNO_photo%20by%20Scott%20Suchman_.jpg)
Baloo
Baloo

Collatinus
Collatinus

Friar Lawrence
Friar Lawrence
03.
GALLERY
GALLERY
Our Valued Partners